(Alceste) A Landscape after a Promise
Μια σκηνική εμπειρία σε αρχαιολογικό χώρο με μία ερμηνεύτρια και κουιντέτο εγχόρδων

C_Music NOW

‘1-1-1’

Alce (Alké): a feminine daimon, the personification of the force that keeps the enemy at bay in battle. Valour, courage in the face of danger and adversity – qualities that, in antiquity, were considered an exclusively male prerogative, yet here the poet adopts them to name and endow the heroine of his eponymous tragedy. An unclassifiable and liminal work, belonging neither fully to the tragic canon nor to the genre of the satyr play, Euripides’ Alcestis remains a wayward offspring that refuses affiliation, unsettling any attempt at categorisation.

In this second encounter with the unruly text within this year’s Festival programme, composer Dimitris Kamarotos transforms the work into a dimly lit monologue that unfurls along other dimensions. For here, Alcestis is not the heroine of a story, but a presence in transition.

The action takes place at night, beginning at the entrance of an archaeological site. Beneath suspended coloured lights, the audience awaits the beginning of the performance. A figure welcomes them, offering instructions and monitoring the flow of entry. From this point on, nothing more can be disclosed without betraying the unfolding of the work – and, above all, its heroine. What can be said is that what follows is a journey, both literal and metaphorical, in which we accompany her into the darker reaches of the drama, where the devaluation of life and the deeper erasure of sacrifice have opened a wound that demands reckoning. In this intimate descent of Alcestis, time slows; she speaks, and the landscape answers.

The archaeological site itself emerges as an accomplice. Night, shadows, rock formations, and rustlings become dramaturgical matter – an informal Chorus composed of the gestures of nature. Upon this terrain the music settles, generating an osmosis between speech and darkness, while natural and electronic sounds – along with the pre-recorded voice of the vocal artist Anna Pangalou – act as further catalysts of the action.

(Alceste) A Landscape after a Promise is an encounter in the heart of the night with that which persists when everything seems to have come to a halt. And what, indeed, is the promise of the title? Certainly not an explicit redemption, but rather a proposition: a passage from the indifference and devaluation of the self toward its silent elevation through shared experience. Like a faintly illuminated path that exists only for those who turn to see it.