Socìetas Raffaello Sanzio -Romeo Castellucci
Padadiso
Romeo Castellucci’s static conception of the final part of the trilogy as an audio-visual installation is a far cry from the relentless movement of Dante’s Paradiso. Exploiting the potential of this flexible form, Castellucci condenses Paradiso into a single, blindingly-bright image from which he has banished the human form. A revelational vision beyond time and place which the viewer can enter for only a few minutes at a time.
The general activity of Socìetas Raffaello Sanzio is supported by the following Italian Institutions:
Ministero per i Beni e le Attività Culturali; Regione Emilia Romagna; Comune di Cesena
With the support of the Culture Programme (2007-2013) of the European Union.
Peiraios 260
- 02/06/2009 at 21:00
MEDIA KIT / PHOTOS
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Opera | Music | Theatre | grape | subset | Dance | Visual Arts | Education | Αναβίωση | Classical music | Performance | Contemporary music | Contemporary Ancients | Premiere | Greek Debut
Ancient Theatre of Epidaurus | Little Theatre of Ancient Epidaurus | Peiraios 260 | Odeon of Herodes Atticus | Stavros Niarchos Foundation Cultural Center | Lycabettus Theatre | Greek Art Theatre Karolos Koun | Ancient Theatre of Epidaurus | Exhibition Hall | Athens Conservatoire | Centre for Drug-Addict Prisoners “EPILOGI”, Eleonas/Thebes | Hellenic Cosmos Cultural Centre Pireos 254 Tavros
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