Socìetas Raffaello Sanzio -Romeo Castellucci

Padadiso


Romeo Castellucci’s static conception of the final part of the trilogy as an audio-visual installation is a far cry from the relentless movement of Dante’s Paradiso. Exploiting the potential of this flexible form, Castellucci condenses Paradiso into a single, blindingly-bright image from which he has banished the human form. A revelational vision beyond time and place which the viewer can enter for only a few minutes at a time.



The general activity of Socìetas Raffaello Sanzio is supported by the following Italian Institutions:


Ministero per i Beni e le Attività Culturali; Regione Emilia Romagna; Comune di Cesena 


With the support of the Culture Programme (2007-2013) of the European Union.