Catherine Diverrès

Blowin’


Catherine Diverrès emerged on the French dance scene during the 1980s as she sought to chart her own route through a decade intent on questioning and breaking with the past. Her dance remains restless and is imbued with a singular poetic vigour. This is her company’s Greek debut.


In Blowin’ (2007), she reveals a kinship with Cunningham in her use of aleatory processes—though with different bodies, sensitivities and techniques and a less formalist vocabulary. The rules of the game: incorporation of improvisation into the creative process, experiments on live music and actively using the spectator.


Michael Cacoyannis Foundation

  • 10/07/2010 at 21:00

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Opera | Music | Theatre | grape | subset | Dance | Education | Αναβίωση | Classical music | Performance | Contemporary music | Contemporary Ancients | Premiere | Greek Debut

Ancient Theatre of Epidaurus | Little Theatre of Ancient Epidaurus | Peiraios 260 | Odeon of Herodes Atticus | Stavros Niarchos Foundation Cultural Center | Lycabettus Theatre | Greek Art Theatre Karolos Koun | Michael Cacoyannis Foundation | Ancient Theatre of Epidaurus | Exhibition Hall | Athens Conservatoire | Centre for Drug-Addict Prisoners “EPILOGI”, Eleonas/Thebes | Hellenic Cosmos Cultural Centre Pireos 254 Tavros

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