Emmanuel Demarcy-Mota
Eugène Ionesco, Rhinoceros
After a gap of six years, Emmanuel Demarcy-Mota revisits, with the same company, a classic work from the Theatre of the Absurd: Ionesco’s Rhinoceros. If Ionesco wrote Rhinoceros as a condemnation of 20th-century totalitarianism in all its forms, Demarcy-Mota reads it today as a parable of enforced conformity, of a tyrantless tyranny – a state of voluntary slavery imposed by our neighbours or even by ourselves. The charging rhinoceroses in his on-stage spectacular are the offspring of the tyrannies of fashion, of the consumer society and of capitalist alienation.
In French with Greek surtitles
Production Théâtre de la Ville, Paris – Grand
Théâtre de Luxembourg – Le grand T-scène
conventionnée de Loire-atlantique. 
In French with Greek surtitles
Production Théâtre de la Ville, Paris – Grand
Théâtre de Luxembourg – Le grand T-scène
conventionnée de Loire-atlantique.
Supported by
Hospitality sponsor
Duration 110 min.
Onassis Cultural Centre
- 30/06/2013 at 21:00
MEDIA KIT / PHOTOS
all events
all venues
