Stefania Goulioti
The Eumenides, by Aeschylus
Why the Eumenides? “Because it is one of the most neglected texts, but with huge hidden meanings which are directly linked to psychoanalysis,” says Stefania Goultioti, one of the most important actresses of her generation, as she explains her choice. “The evil Furies are transformed into Eumenides (kindly ones), in an effort to silence the voices that keep buzzing in people’s heads. Voices judging, commenting, comparing, assuming… Voices that express insecurities, fears, guilt, and malice; voices that remain stuck in the past.” The aim is to find the thread that will link the viewer with the writer, without the mediation of the actor’s superego.
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Duration 1h 30'
Peiraios 260
- 20/07/2015 at 21:00
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Opera | Music | Theatre | grape | subset | Dance | Education | Αναβίωση | Classical music | Performance | Contemporary music | Contemporary Ancients | Premiere | Greek Debut
Ancient Theatre of Epidaurus | Little Theatre of Ancient Epidaurus | Peiraios 260 | Odeon of Herodes Atticus | Stavros Niarchos Foundation Cultural Center | Lycabettus Theatre | Greek Art Theatre Karolos Koun | Ancient Theatre of Epidaurus | Exhibition Hall | Athens Conservatoire | Centre for Drug-Addict Prisoners “EPILOGI”, Eleonas/Thebes | Hellenic Cosmos Cultural Centre Pireos 254 Tavros
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